Grimes, ‘Oblivion’
“Oblivion,” Grimes I HAVE NO IDEA what genre Grimes falls into, though “Post-Internet” has been bandied by Pitchfork. And particularly as the avant-garde music of 2005 and beyond, took an entirely Continue reading
“Oblivion,” Grimes I HAVE NO IDEA what genre Grimes falls into, though “Post-Internet” has been bandied by Pitchfork. And particularly as the avant-garde music of 2005 and beyond, took an entirely Continue reading
THE ROOTS’ DO YOU WANT MORE?!!!??! was an epiphany in the consciousness of hip-hop; a quiet-at-first, sophomore slingshot — as opposed to a slump — operating as “something other than.” Continue reading
DOING THIS six years late, particularly after these recent remarks*, reminds me (somewhat) of, how as a condition of certain behavioral treatments and recovery from addiction, people attempt to rectify Continue reading
Photo Credit: Billboard “Peso,” ASAP Rocky LAST YEAR MAY MARK a moment of pivot; where everything changes deep within the subculture: implying a possible shift in the ethos of what comprised the corps Continue reading
Photo Credit: FreshJive WHILE LOS ANGELES’S sports fans are anxious over the still unresolved and perpetually ongoing saga of the Frank McCourt divorce and its potential to reap utterly negative Continue reading
Oh, the Kingston gangsters use masks like that to scare victims before shooting them. – Boogie A PHOTOGRAPHIC SERIES by the acclaimed street scene, gang and war photographer known as Continue reading
D.J. HONDA’S three mid-’90s collaborative albums — h, h II, h III — are among the best of original underground and independent hip-hop compilations produced in that era. They also Continue reading
Photo Credit: Format Magazine Editor’s Note: WRITING has its perks. You get to sit in the corner with your nose in the air and snicker at Joe-Blow-six-pack, a lot of Continue reading